-
Sylvester
分类：剧情片
类型：剧情
演员：Eugen,Klöpfer,Edith,Posca,弗里达·李察,Karl,Harbacher,EugenKlöpfer,EdithPosca,KarlHarbacher,尤利乌斯·E·赫尔曼,RudolfBlümner
状态：
简介：Sylvester, by the hugely underrated Lupu Pick is one of the least known films of the silent era, and unjustly so. Pick, the director of the slightly less obscure Scherben (Shattered), is almost as forgotten as this, his masterpiece... a film that without doubt, in it's time, was one of the most important of the German silent era.This great Kammerspiel is the middle entry in a trilogy written by the master screenwriter Carl Mayer (see here for a web resource for Mayer, as well as a writeup on Sylvester), all three of which were intended to fall under the directorial auspices of Pick: the first was Scherben (Shattered), the second was Sylvester (New Years Eve), and the last was Der Letzte Mann (The Last Laugh), which, as the film went into production, shifted directorial hands-- and was ultimately helmed by another of Mayer's ongoing collaborators, the great F. W. Murnau.Much has been made about the supposed innovations of Der Letzte Mann/Last Laugh: that it was the first film to be produced without interti
tles, and that it was the film to "unchain the camera" via the integration of subjective camera movements. Some attribute these innovations to Murnau completely, others give credit to Karl Freund for innovating the moving camera. Others suggest that it was within the sc ript for Letzte Mann that instructions for the moving camera can be located, and that this innovation, in this film, rests wth Mayer.As for the interti tle issue, the myth is easy to debunk: in Germany at least, one can, through exploration of chronologically preceding ti tles written by Mayer, see that this screenwriter had been seeking out this kind narrative-pictorial purity for years already by the time Letzte went into production. Hintertreppe (Backstairs, 1921, directed by Leopold Jessner, assisted by Paul Leni), Scherben (Shattered, 1921), Die Strasse (The Street, 1923, directed by Karl Grune), Sylvester (New Years Eve, 1924, Pick) all ran, in initial, domestic German release, with one-to-no interti tles. That makes Der Letzte Mann the fifth film that Mayer sc ripted for execution without interti tles.Putting aside the issue of the preceding use of moving camera by Yevgeni Bauer, Raul Walsh, Giovanni Pastrone, D.W. Griffith, etc-- the issue of who in Germany who first conceived and extensively utilized the subjective moving camera is put to rest with a simple viewing of Sylvester.Like all Carl Mayer tales-- and like Scherben before it-- Sylvester is an exceedingly simple story... it is New Years Eve, and all levels of the social strata are celebrating. Like a restless deity exploring the substance of his human creations, in all the colliding facets of their existence, the camera comes in out of the rolling waves of the void of nighttime... announcing with a single opening interti tle the insc ription from the Tower of Babel: "Go go let us go down and there confound their language, that they may not understand one another's speech."With this we move in off of the ocean, and into a city-- it is New Year's Eve and the street is a sea of revelers. Here Pick and Mayer's camera lingers for a couple of minutes before picking up the thread that constitutes the "story", to which the rest of the film is oblivious:A small family unit which runs a low-down bar on the main thoroughfare in town constitutes the central zone of the film. A husband and wife are keeping the food and drinks coming to the drunken, lower-working class revelers tossing confetti and streamers for the holiday. A baby sleeps in a carriage. Suddenly an ominous dark silhouette appears on the frosty outer side of the rear kitchen's window, and is sighted by the wife, who instantly deflates-- all her joy and enthusiasm for the coming countdown to midnight are instantly sapped.The intimate Kammerspiel which follows, triggered by the arrival of the wife's mother-in-law, is constantly orbited by the world outside. (As is typical for a Mayer film, the characters are nameless: The husband, The wife, His Mother) The camera continuously places the emotional strife of the trio of the man and his wife, and her terrible feuding with her schizoid mother-in-law, into context of the larger human universe. Intercut with their scenes of impending tragedy and near operatic gloom are shots of the oblivious streets: grand hotels with elegant appointments and well-heeled revelers in tux flowing out of limousines (welcoed through a revolving door operated by Emil Janning's spiritual predecessor), organ grinders and panhandlers with beaten faces crushedby prison time, bawdy bourgoise, flappers, rowdy laborers, streamers and confetti everywhere. Whereas most films place their characters in the center of the human universe, absorbing all the significance and spiritual gravity made available via the story, Sylvester, despite the pathos of the impending tragedy in the tiny family unit's unfolding drama, de-emphasizes the importance of the family... the narrative strains at times to disassociate itself with them, lingering for solid stretches of minutes, tracking up and down the streets, picking out stranger after stranger, settling on no one and everyone.It's via this dis/association that the power of the film multiplies, gathering the force and impact of the cruel reality of existence: a world paying lip service to the rest of itself, even in it's most awful of crises. The world spins; life goes on. I mentioned in my previous essay (li nked above) for Sylvester:I still believe that to be true. What Mayer was attempting to do here is very difficult to articulate in words... thus the opening statement from Babel. This is a film beyond language, beyond a general statement. That barrier that confounds its explanation is the same existential barrier that exists between the family unit and the world outside, which is the barrier that exists between every human heart’s lived life, and the rest of the surrounding world. To paraphrase Tom Regan in Miller’s Crossing: “Nobody really knows anybody—not that well.” 时间：2023-11-22 02:16:58
-
Ariane
分类：剧情片
类型：剧情
演员：埃玛妞·丽娃,伊莎贝尔·阿佳妮,Eugène,Ionesco
状态：
简介：Le destin d'Ariane : Engagé comme régisseur sur le tournage du film "L'affaire Dominici", Pierre-Jean de San Bartolomé monte à Paris. C'est là qu'il rencontre Isabelle Adjani pour laquelle il écrit un scénario.Alors à la recherche de moyen d'ex
pression audiovisuel peu onéreux, il choisit l'utilisation du film Super 8. Il tourne ainsi sur ce support les images, sur triple écran, d'un spectacle de ballet pour la Compagnie Anne Béranger qui sera projeté à l'Espace Cardin en mai 1973.En 1974, San Bartolomé entreprend le tournage d'"Ariane", considéré film d'art et essai, avec une poignée de comédiens et amis dont Isabelle Adjani. Le montage à peine terminé, la projection simultanée sur triple écran doit être abandonnée faute d’appareils adéquats qui ne verront jamais le jour. Le film remonté pour écran unique, trop long malgré de nombreuses coupures, perd une partie de son intérêt. Il crée néanmoins l’événement au Premier Festival International du Super 8 à l’Espace Pierre Cardin en décembre 1974."Ariane" sera ensuite présenté dans une nouvelle version de 120mn "gonflée" en 16mm au Festival de Cannes de 1977 dans la sélection "perspectives du cinéma français" avant d'être remonté et recoupé, à l'initiative de la coproductrice du film, avec surimpressions grotesques de cristaux et sous le titre aberrant de "Espace Zéro", sans l’accord du réalisateur.Avec l’appui d’Isabelle Adjani, de Jean Pierre Stora, compositeur de la musique du film et de Maitre Pierre Hébey, San Bartolomé fait interdire la diffusion et l’exploitation d’une œuvre totalement dénaturée.Ce quatrième film d'Isabelle Adjani reste inédit à ce jour. 时间：2023-11-22 02:05:41
-
Zombadings
分类：喜剧片
演员：JanicedeBelen,Martin,Escudero,Janice,de,Belen,Eugene,Domingo
状态：
简介：
时间：2023-11-22 02:02:02
-
沙漠英雄
分类：动作片
演员：Wynand,Uys,加美·尤伊斯,Lady,Frolic,of,Belvedale,Wilhelm,Esterhuizen,WynandUys,LadyFrolicofBelvedale,WilhelmEsterhuizen,SueBurman,JanBruyns,PieterHauptfleisch,JohanduPlooy,BillBrewer,JacquesLoots,HeinrichMarnitz,EugeneErasmus
状态：
简介：钢琴家德·弗赖斯的儿子德克因为身体不好，便坐彼德叔叔的飞机去农场休养。飞行途中，彼德叔叔心脏病突发去世，飞机迫降在无边的沙漠。军方投入了紧张的搜救工作，但迟迟没有找到德克。仅有八岁的德克跟自己的小狗洛莉一起，战胜了种种恐惧和困难，在浩翰的沙漠中顽强的活了下来，直到德·弗赖斯和搜救人员找到他们。
时间：2023-11-22 01:56:58
-
夏日炸药
分类：剧情片
演员：,威廉·罗芬,John,Alex,Nunnery,Patrick,Rutherford,Ciara,McMillan,JohnAlexNunnery,PatrickRutherford,CiaraMcMillan,LayneRodgers,JoiceBaldwin,BraxtonGardon,ArthurArrington,CaseyBrown,RobDemery,EugeneEllis,HannahFeltus,SarahFortner,GloriaGonnillini,CaseyHeflin
状态：
简介：年仅14的Robbie Hendrick的理想只是一个完整的家——奶奶，哥哥Lucas，同母异父的弟弟Fess，他还有妈妈。但Lucas终年在外游荡，他们精神状态不甚稳定的妈妈因害怕自己崩溃再度离家出走。Robbie一肩担起了照顾弟弟的职责。密西西比又一夏，Lucas意外回家小住。Robbie只盼妈妈早日回来便能一家团圆。但是妈妈未见踪影，Lucas却游手好闲，惹是生非。 Robbie必需面对他的小小梦想破灭的现实……
时间：2023-11-22 01:54:52
-
灵与肉
分类：剧情片
演员：葛丽泰·嘉宝,约翰·吉尔伯特,Lars·Hanson,拉尔斯·汉森,芭芭拉·肯特,William,Orlamond,拉斯·汉森,威廉·奥拉蒙,乔治·福塞特,Eugenie,Besserer,马克·麦克德莫,Marcelle,Corday,Carl,Major,Roup,Rolfe,Sedan
状态：高清
简介：葛丽泰·嘉宝经典默片之一，而男主角约翰·吉尔伯特在当时也是响当当，是当时公认的好莱坞最受崇拜的风流倜傥小生。片中两人表演精彩，完美地演绎了一段微妙的男女关系，成为好莱坞有史以来最为瞩目的罗曼史。 她是一个充满诱惑的美女，一个荡妇的化身，她因戏弄诚实的男子而身败名裂……
时间：2023-11-21 22:59:33
-
黑帮天堂：耶路撒冷
分类：科幻片
演员：丹尼尔·巴克兰德,罗伯特·胡布斯,摩托拉奇·马洛可,肯尼斯·高西,Ronnie,Nyakale,Eugene,Khumbanyiwa,Jafta,Mamabolo,Shelley,Meskin,Louise,Saint-Claire,Rapulana,Seiphemo
状态：高清
简介：上世纪九十年代，南非约翰内斯堡的Hillbrow区。拉奇·库内内，一位来自南非身无分文的街头混混。出身于贫民窟的拉奇从小就目睹着南非人民遭受的苦难，便立志要逃离这样的窘困之境，改变这一切。于是他从街头的小偷小摸开始起家，在经历了无数的枪战、血腥和暴力之后，成长为约翰内斯堡地区的黑帮老大。然而此时的拉奇正一步步走向罪恶的深渊，他所创建的帝国、他所拥有的生活，终将倒塌。
时间：2023-11-21 22:19:35
-
命运交织
分类：喜剧片
演员：克拉拉·维达,GregPowell,EugeneGilfedder
状态：高清
简介：拉达有一位患了口吃的男朋友山姆，口吃给山姆带来了极大的生活障碍，于是拉达陪着山姆去看医生，医生给山姆介绍了一款治疗口吃的仪器，他戴上仪器后开心的发现，自己说话竟然正常了。但他却在几天后抛弃了女友拉达。被抛弃的拉达在沉寂了一段时间之后终于走出伤痛，她开始写一封封温暖人心的信，用红色的信封包裹好，挨家挨户的送到陌生人家门前的收信箱里。电工米克在妻子离世后独自抚养着女儿，某天中午他接到了儿童保护服务人员琳达的电话，并且定在第二天对他进行家访，米克正为了家访的事心烦的时候，他面前正在上演一起意外事故。一位拖着行李箱的男人因为跑得太急，把一位戴着头巾的女人给撞晕了，那女人正是拉达。拖行李箱的男人叫尼尔，他正打算去找母亲拿钱筹拍话剧，但因为堵车已经要迟到了，所以他留下了自己的名片火速离开，而拉达则被路边的医生送去了医院。米克无意间发现了拉达遗落的信封，他通过网络查到了拉达的照片，并打印了带有拉达照片的海报四处张贴，希望能找到拉达。第二天医院给他打来电话，告诉他拉达现在在医院。米克立刻带着女儿去医院找到她，把信封物归原主，这时米克才想起来和儿童保护的工作人员约定了家访，拉达表示可以开车送他回家。回到家后的米克惊讶的发现房间已经大变样，之前乱糟糟的房间竟然被收拾的井井有条，而自己的朋友巴里正在和家访员谈笑风生。尼尔在话剧上映之后遭到了剧评人韦斯利的零分差评，遭受打击的他偷偷的尾随着韦斯利到了一处空旷的地方，准备对其进行报复，却没想到韦斯利正打算上吊自杀，尼尔情急之下割断了韦斯利上吊的绳子救了他。
时间：2023-11-21 22:14:44
-
耶路撒冷
分类：动作片
演员：Daniel,Buckland,Robert,Hobbs,Eugene,Khumbanyiwa,Motlatsi,Mahloko,贾夫塔·玛玛波罗,Shelley,Meskin,肯尼斯·高西,Ronnie,Nyakale,Louise,Saint-Claire,Rapulana,Seiphemo,Jeffrey,Zekele
状态：高清
简介：上世纪九十年代，南非约翰内斯堡的Hillbrow区。拉奇·库内内（瑞普拉纳·赛斐默 Rapulana Seiphemo饰），一位来自南非身无分文的街头混混。出身于贫民窟的拉奇从小就目睹着南非人民遭受的苦难，便立志要逃离这样的窘困之境，改变这一切。于是他从街头的小偷小摸开始起家，在经历了无数的枪战、血腥和暴力之后，成长为约翰内斯堡地区的黑帮老大。然而此时的拉奇正一步步走向罪恶的深渊，他所创建的帝国、他所拥有的生活，终将倒塌。
时间：2023-11-21 19:40:49
-
猎狼犬
分类：动作片
演员：亚历山大·布哈罗夫,奥莎娜·阿金什那,亚历山大·多莫加罗夫,伊戈尔·别特连科,Eugenia,Tudorascu,Anatoliy,Belyy,Lilian,Navrozashvili
状态：高清
简介：猎狼犬是来自灰犬族的一位勇敢的战士，在他孩提的时候，亲眼目睹了自己的家族被屠杀的悲剧，凶手Zhadoba是一个戴着恶魔面具的神父，他还有一个追随者是食人者。成为奴隶之后，猎狼犬逐渐长大，心中依旧充满了复仇的愿望，随后他逃走了。他先是杀死了食人者，解救了几个他俘虏的犯人，其中有智者Tilorn 和奴隶女孩Niilit。勇士随后向命名为Galirad的城市前进，寻找任何实现复仇计划的机会，同时还要寻找他的助手邪恶女神Morana。公主Helen受到魔鬼的诅咒被关押起来，并且为了求得和平她还被迫与食人者的儿子Vinitar订婚。Zhadoba试图通过释放Helen的血来把女巫Morana放出来，最终在猎狼犬的保护下公主安然无恙。
时间：2023-11-21 19:39:47